Tag Archives: political fiction

Guest Blogger Stefan Vucak: The Drive to Write

The Drive to Write…

By Stefan Vucak, author of ‘Cry of Eagles’

Bright sunshine has flooded the landscape with light and shifting shadows as the wind whips branches into restless frenzy. A thin tendril of steam is rising from my cup of coffee and I gaze at it momentarily, captivated by the patterns it makes. I am staring at the computer screen, at the paragraphs running into each other, making no sense as I search for inspiration. No, that’s not quite right. I am driven by inspiration to pour out the words clamoring to get out, my characters screaming at me to write down what they have to say. I just don’t hear them, my Cry of Eaglesmind wandering as I look out the window at the shadows, the light and the patterns they make. There is an avalanche of ideas waiting to be unleashed, but I have stumbled into a pothole and I am too weary to drag myself out. I take a sip of coffee, taking in the aroma and the satisfying taste, and sigh as I stare at the words across the screen…

It’s strange, but I always wanted to write. Ever since as a kid when I stumbled across an illustrated book of 20,000 Leagues Under the Sea, I was hooked. A whole new universe was opened for me, one I never knew existed, one far beyond the narrow confines of my childhood pursuits and shallow games. When I discovered a library not far from the primary school, I gladly plunged into that universe. Of course, reading led me to think that I could also create a universe of my own, something others could share and hopefully enjoy. It didn’t look all that hard. After all, it was simply putting down words on paper. Although the drive to write never left me, it was some years later that I could unleash that part of me and allow my imagination full flight. But like Pandora, I unleashed a part of me that ever since has given me moments of intense pleasure, soul-wrenching frustration and disappointment.

Part of the frustration was mastering the mechanical craft of writing, learning how to write good dialogue, not allowing myself to get swept up in flowery prose, how to plot, research…a raft of skills a writer needs in order to produce something good. And I am still learning. But why put myself through all that pain, accumulating a stack of rejection slips along the way, harboring murdering thoughts at authors whose crappy books are on the stands while stuff I produced cannot make it? Why put up with lonely hours cooped up in my study, bent over my notebook or pounding away at the keyboard, enduring cramped muscles, mental blocks, endless hours of tedious editing, simply to turn out that novel? Why do I write?

The answer is simple as it is complex. I am driven to write. It is a fire that burns within me and one I cannot quench. I tried to once or twice, but that urge to write, to create, never let go, could not be extinguished. It’s a curse and it is also a gift. Once I recognized that I could not change what I was, I accepted my fate and allowed myself to soar. All the frustration and tedious work, the attention to detail and the rewriting, it fades into insignificance when I look at the rewards of my creativity. When the words flow and I can hardly keep up with them, when my characters live and laugh and cry with me, and come alive on paper, when it all clicks and my spirit cries like an eagle high in the sky, the buzz of pure creation can be giddying and addictive. And it is addictive, far better than any smoky weed or pill.

I write primarily because I must and because I want to share with others the joy of my creations. Once that book is done, the moment of accomplishment passes, but there is always a sense of power, knowing I have left something behind that is lasting. The doubts about getting published, having the thing sell, marketing, all those things will weigh on me later. But even if one person reads what I have produced, I am satisfied, although I am egotistical enough to want as many readers as possible. Then there is a period when I must recharge and get ready for another book, more frustration, more loneliness, more tedium. Sometimes I really wonder why I put myself through all this.

I’m driven and I’m cursed and I must write. The passion and the drive that keeps pushing me is relentless and won’t give me peace. But I have ceased fighting the current and have accepted my destiny, because there is nothing more fulfilling in life.

I take another sip of coffee, now gone cool, flex my fingers and smile at the keyboard. I have come for you, I tell my characters…

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Stefan VucakStefan Vucak is an award-winning author of seven techno sci-fi novels, including With Shadow and Thunder which was a 2002 EPPIE finalist. His Shadow Gods Saga books have been highly acclaimed by critics. His recent release, Cry of Eagles, won the coveted 2011 Readers Favorite silver medal award. Stefan leveraged a successful career in the Information Technology industry and applied that discipline to create realistic, highly believable storylines for his books. Born in Croatia, he now lives in Melbourne, Australia.

WEBSITE | TWITTER | FACEBOOK

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A Conversation with Spy Fiction Author John Knoerle

John Knoerle

Please welcome my special guest, spy fiction author John Knoerle. John is here today to talk about his latest release, The Proxy Assassin. John  began his creative endeavors in the early 70s as a member of the DeLuxe Radio Theatre, a comedy troupe in Santa Barbara. He then moved to LA and did stand-up comedy, opening for the likes of Jay Leno and Robin Williams.

Knoerle wrote the screenplay Quiet Fire, which starred Karen Black, and the stage play The He-Man Woman Hater’s Club, an LA Time’s Critic’s Choice. He also worked as a staff writer for Garrison Keillor’s A Prairie Home Companion.

Knoerle moved to Chicago in 1996 with his wife Judie. His first novel, “Crystal Meth Cowboys,” was optioned by Fox TV. His second novel, “The Violin Player,” won the Mayhaven Award for Fiction.

John Knoerle’s novel, A Pure Double Cross, was the first volume of a late 40s spy trilogy featuring former OSS agent Hal Schroeder. The second volume, A Despicable Profession, was published in 2010. Knoerle’s latest book,The Proxy Assassin, Book Three of the American Spy Trilogy, has just been released.

Visit his website at www.johnknoerle.com.

It is a pleasure to have him here with us today!

Thanks for this interview, John.  What an illustrious background!  Let’s start at the beginning?  How did you get intoThe Proxy Assassin the entertainment field?

John: I was working at the college radio station at UC Santa Barbara in the early 70s because I was a music nut. One fateful day two members of The Firesign Theater, a very popular and sophisticated comedy troupe, swung by to record promo spots for a gig on campus.

My job was to engineer the session. Firesign’s David Ossman and Phil Proctor improvised three brilliant and hilarious thirty-second spots in no time and left me in Studio B, stunned and amazed.

I didn’t have a clue if I could do what they did, but I sure knew I wanted to give it a try!

Was comedy your passion?

John: It became my passion. And The DeLuxe Radio Theater had good success in Santa Barbara in the 70s. But we were big fish in a small pond.

When I moved to LA to do stand-up, what comics call the room, got a whole lot colder.

Foolishly, I thought that my brilliant material would win them over and I wouldn’t have to stoop to that hackneyed ‘Where are you folks from?’ patter to warm up the crowd.

Lesson learned. Unless you’re well-known, you have to establish a connection with the audience before they will laugh at your jokes.

How’d you go from comedy to writing spy fiction?  Was it something you loved reading?

John: Yes. Though I wrote two novels based on personal experience before I branched out. It took me years of research to become conversant enough in espionage to attempt to fictionalize it.

I’m pretty confident that if you Google ‘former stand-up comics who now write spy fiction’, I’ll be the only hit!

Your first novel, Crystal Meth Cowboys, was optioned for a Fox TV movie.  Tell us about that?

John: Actually it was optioned for a TV series. Crystal Meth Cowboys was my first novel, self-published after years of rejection. A Hollywood writer saw it in a bookstore in LA – the only copy in the joint – and gave it a read.

Then I got an email inquiring about ‘sub-rights’. The writer and I – her name is Jacqui Zambrano – hit it off and wrote an hour-long pilot script that got the ball rolling. We got as close as auditioning actors and scouting locations when somebody upstairs pulled the plug at the last second.

Your latest book, The Proxy Assassin, is the last book of your American Spy Trilogy.  Is it sad to say goodbye to such a fantastic series?

John: Yes.

Can you give us a brief description of each book?

John: Book One, A Pure Double Cross, is Hal Schroeder, former OSS behind-enemy-lines spy, coming home to Ohio in late ’45, bitter and disillusioned after WWII. When the FBI seeks to exploit his undercover skills, he sees a way to make a pile and get the hell out.

Book Two, A Despicable Profession, is Hal’s uh-oh moment when he realizes he may enjoy intrigue and espionage a bit more than he is willing to admit.

Book Three, The Proxy Assassin, is, essentially, Hal’s transition from boy to man.

What’s next for you?

John: Not sure. I take the task of writing fiction very seriously, even if my style is somewhat smartass and throwaway. Making it appear to the reader that you’re not making much of an effort takes a ton of work, trust me.

And the prospect of writing another novel at this point in my life is….exhausting.

Thank you so much for this interview, John.  Do you have anything else you’d like to share with us?

John: Yes, here’s my great words of wisdom: travel! Break your routine. Travel to strange places, the stranger the better. It can help you appreciate what you’ve got and it makes life seem longer and fuller.

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Read-a-Chapter: The Proxy Assassin by John Knoerle

 

Read a Chapter is *NEW* added feature at As the Pages Turn! Here you’ll be able to read the first chapters of books of all genres to see if you like them before you buy them. Today we are featuring the spy fiction, The Proxy Assassin by John Knoerle. Enjoy!

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The Proxy Assassin

  • Paperback: 280 pages
  • Publisher: Blue Steel Press (September 1, 2012)
  • Language: English
  • ISBN-10: 0982090390
  • ISBN-13: 978-0982090398

October, 1948. Former OSS agent Hal Schroeder gets invited to Washington D.C. by Frank Wisner, who heads the CIA’s new covert ops division. Hal is whisked off to Wisner’s Maryland shore retreat and introduced to a brace of Romanian royals, including the scarily beautiful Princess Stela Varadja, a direct descendant of Vlad Tepes Draculea.

Then Frank Wisner pops the question. Would Hal consider parachuting into a remote mountain camp to meet with the leader of a group of Romanian anti-Communist guerillas?

“I had already survived two previous suicide missions and a third did not appeal. But I told Frank Wisner I would need a few days to think it over. I had some sightseeing to do.”

As it turns out Hal Schroeder gets to do a lot more sightseeing than he bargained for. A journey that brings the American Spy Trilogy to a surprising, and emotional, conclusion.

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Chapter One

The key number to remember when you parachute out of an airplane at an altitude of five hundred feet is two. You have two seconds to do two things. Get your feet down and your cord pulled. That’s it, that’s all you need to know.

I hadn’t jumped since ‘44 so the flyboys thought it would be a good idea for me to take a couple low-altitude warm-ups from a C-45 at Andrews AFB. Shake off the rust after a four year layoff.

Sure. Why not triple my chances of falling five hundred feet in six seconds and smacking the sod at ninety miles an hour? I told them to get stuffed. I’d risk my tender hide only when it mattered. And I’d pack my own damn chute.

I was more of a jerk than I needed to be to those earnest young men who were just about my age but seemed like kids. It wasn’t their fault I had fumbled and stumbled my way into another suicide mission.

The drop zone was located in rural central Romania. Transylvania, an area ringed by the thickly-wooded Carpathian Mountains. Which explained the tiny drop zone which explained the low altitude jump.

The mission wasn’t a complete disaster. I jumped out the joe hole and into the night sky with one big improvement over WW II. It wasn’t a blind drop, I had a group of resistance fighters waiting to greet me.

I executed a perfect two-point landing in a clearing between two mountains. My contact was Captain Sorin Dragomir, a large fortyish man with waves of thick brown hair. His well-upholstered gut and full set of teeth marked him as a man of stature.

That and his tasseled hessians and uniform jacket, buttons bursting, the gold braid above his breast pocket jiggling as he shook my hand. His dozen or so khaki-clad men were smaller and darker-skinned.

A dozen men. Christ. Joe Stalin must be quaking in his boots.

I got on my hotshot new Joan/Eleanor transceiver, rang the radio operator of the C-45 circling overhead and gave him the code for a safe landing. “Chaise lounge.”

“Roger.”

“Godspeed.” With any luck the crew would reach their refueling strip in northern Turkey with a couple gallons left in the tank.

It was late, all I wanted was a quick snort and some shuteye. But the Captain made his men stand to attention around a guttering fire as he made a welcoming speech in English about the deep and abiding friendship between our two great nations. An elderly man stood beside him and translated his remarks into rapid-fire Romanian.

I guess I shouldn’t have been surprised to hear that it sounded a lot like Italian. One thing I’d learned in my mission briefing was that, despite the vast expanse of pale and dour Yugoslavs and Hungarians separating them from Italy, Romanians considered themselves charter members of the Roman Empire. Which they were many centuries ago. Funny what people choose to take pride in.

The troops dispersed after the welcoming ceremony. The Captain and I retired to his little fortress at the edge of the clearing. It was a very old building. I had to bend at the waist to clear the doorway. The main room was lit by candles in an iron ceiling wheel. No fire in the fireplace though the night was cold.

Before the front door was closed I caught a glimpse of two of Dragomir’s troops skittering by, headed home. It looked as though they had changed back into civilian clothes, which I took to mean that Captain Dragomir had not secured even this obscure slice of real estate.

The Captain and I seated ourselves at a table made from dark, foot-wide planks. The elderly man, apparently Drago-mir’s valet, went to a rough cupboard and fetched a bottle of twenty-year-old hooch and two crystal tumblers.

“I hate to look a gift horse in the mouth, Captain, but I don’t drink Scotch.”

“Why not?”

“It tastes like peat moss.”

The Captain laughed at me. I knew the local drink was plum brandy so I asked for some. Dragomir laughed some more and issued instructions to his man.

We were served a delicious cold supper by candlelight. Three kinds of cheese, smoked ham, crusty bread, cucumbers in sour cream and sliced tomatoes. I should’ve stuck with peat moss, however. The plum brandy tasted like gasoline.

Frank Wisner, my boss, had set Dragomir and his men a task, which I relayed to him. They were to conduct surveillance on a Romanian Army encampment about ten kilometers to the southwest. This was to serve two purposes. To determine if the Captain’s men could follow orders. And to assess the readiness and morale of the Romanian Army in a remote outpost.

The Soviet Army was spread thin throughout Eastern Europe. They had a base outside Bucharest, for instance, but they relied on the Romanian Army to keep order in the hinterlands. And the hinterlands weren’t happy. The puppet government in Bucharest did as Moscow instructed. It collectivized farms and closed churches, which did not go over well with the locals.

Frank Wisner thought the Romanian Army would prove an unreliable ally for the Soviets, doubted they would open fire on their own people if push came to shove. How I was supposed to determine that by examining a remote Romanian outpost through binoculars was left to me.

Once I explained it to him Captain Dragomir agreed to Frank Wisner’s assignment without hesitation. We would march tomorrow evening, zero hundred hours. And how was his old friend Frank coming along in his important new job?

“Fine.”

The beeswax candles flickered in the drafty, heavy-timbered little fort. The old man cleared our plates and went away. The Captain poured himself another tumbler as the shadows danced.

“This building dates back to the 17th Century. It was a Swabian hunting lodge.” He pointed to the stag horns mounted over the door, and the blackened hooks in the attic.

“That is where they smoked the meat.”

Meat hooks, ugh. Hitler was fond of meat hooks.

Captain Dragomir was keen to tell me all about his elaborate plan to foment rebellion against Moscow’s puppet regime in Bucharest but I was not, at this late hour, keen to listen to his delusions of grandeur.

That would have been a mistake under normal circum-stances. If you are sent on a risky and expensive mission to gather intelligence you don’t insult your source by saying, “I’m all in, Captain, let’s discuss this tomorrow.” That’s because tomorrow has a way of scampering off down the road while you’re lacing up your shoes.

But, as luck would have it, my bad attitude paid off.

Reprinted with permission from The Proxy Assassin by John Knoerle. © 2012 by Blue Steel Press

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