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Was there a conspiracy behind JFK’s death? Interview with Jack Duffy, author of ‘The Man From 2063’

Jack DuffyJack Duffy is an attorney from Fort Worth, Texas.  The Man from 2063 is his first book.  On November 22, 1963 he was in school at Bruce Shulkey Elementary when he heard the news about President Kennedy’s assassination.  His parents were at the breakfast in Fort Worth, Texas, that morning when President Kennedy gave his last speech.  In 1970 he saw the Zapruder film for the first time.  He has been researching the JFK assassination since then.  He has interviewed many eyewitnesses including Marina Oswald and several Parkland physicians who treated JFK.  He has met many researchers who have written books on the assassination.  He came up with the idea for a time travel novel in 1998.  He has one of the largest private collections of materials on the JFK assassination.  He graduated from Texas Tech University with a B.A. in Political Science.  He then earned an M.B.A from Baylor University.  He then graduated from South Texas School of Law with a J.D.  He is an Eagle Scout.

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The Man From 2063Who are some of the key people connected with the JFK assassination who died suspiciously?

William Pitzer is one of the most important strange deaths. Pitzer was a naval commander who took the photos and X-rays of JFK’s autopsy.  Pitzer told his family he was going to go public with the photos after he retired from the Navy.  He was threatened with court martial if he talked about the autopsy. He was visited by CIA agents and warned not to reveal what he had observed at the autopsy. Pitzer made a 16 mm film of the autopsy.  In the mid 1960’s a Green Beret was asked to kill Pitzer for the CIA. He refused to kill him.  Later Pitzer was found dead in his lab at Bethesda naval hospital. His death was ruled a suicide. His 16mm film disappeared.   Dorothy Kilgallen was a reporter for the NY times. She was the only person to ever have a private interview with Jack Ruby.  She later told people she was going to blow the JFK assassination story wide open.  She was found dead in her NY apartment. Her death was ruled a suicide from a drug overdose.  Albert Bogard was a used car salesman who met a man who claimed he was Oswald at his car lot.  He later said the man was not the real Oswald. Bogard passed a lie detector and recieved death threats. He was found dead in his garage. A hose had been connected to his cars exhaust pipe and put in the window. His death was ruled a suicide. George DeMohrenschildt was a close friend of Oswald’s. DeMorenschildt worked for the CIA.  In March 1977, he committed suicide with a shotgun at his home in Florida hours before he was to be interviewed by an investigator from the HSCA.  Several high ranking mobsters were murdered before they could be brought to Washington D.C. to testify before the HSCA.   

What is the single bullet theory?

The single bullet theory was developed by Arlen Specter who was a junior lawyer on the Warren Commission.  The theory is that one of the bullets fired by Oswald from the School Book Depository hit JFK in the back of the neck, exited his throat, hit Gov. Connally in the back, struck one of his ribs, exited his chest, entered his wrist shattering it and then ended up in his thigh.  The bullet was later recovered from a stretcher in Parkland hospital.  The bullet was Commission exhibit 399 and had very little damage to it. It has been called ‘The Magic Bullet” by critiics of the Warren Commission. 

What are some of the problems with the single bullet theory?

First, Gov. Connally never agreed with it. Connally was an experienced hunter and testified that one bullet did not hit him and JFK.  Connally said he was hit by a separate bullet.  The surgeons who operated on Connally disagreed with the theory.  They said the trajectory of the bullet that wounded Connally proved it could not have hit JFK first. JFK’s shirt and coat prove the bullet entered his back several inches below his neck and could not possibly have exited from his throat.  Autopsy photos show the location of the back wound on JFK.  One of the pathologists at the autopsy stuck his finger in JFK’s back wound and could not feel any point of exit.  An Admiral present at the autopsy ordered the pathologists not to track the back wound. Tests done at firearms labs with the same ammunition that Oswald allegedly used show bullets that are flattened out completely after being fired into cadavers wrists.  More bullet fragments are present in Connally’s wrist X-rays than are missing from CE 399.

Is there evidence that JFK’s head wound was caused by a different type of ammunition than Oswald allegedly used?

Yes. X-rays of JFK’s skull reveal a snowflake pattern of small bullet fragments scattered throughout JFK’s brain. This is indicative of a hollow point or dum dum bullet that explodes on impact and fragments into dozens of pieces. This is the type of bullet often used by the Mafia and CIA because it is almost impossible to trace and causes massive damage to the victim. Oswald was allegedly using military jacketed ammunition which does does not explode into dozens of fragments like a hollow point bullet.

Were gunmen observed on the Grassy Knoll several days before JFK was killed?

Yes. On Wednesday, November 20, 1963 two Dallas police officers were driving down Elm Street through Dealey Plaza when they saw two men dressed in suits and ties standing behind the picket fence with high powered rifles. The policemen ran up the knoll however the men drove away in a car before the officers could catch them.  The police officers made a report about the incident. The report was buried by the FBI until the HSCA discovered it during their investigation of the assassination in the 1970’s.

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A Conversation with Mark Spivak, author of Iconic Spirits: An Intoxicating History

Please welcome my special guest, Mark Spivak. Mark is here today to talk about his latest release, Iconic Spirits: An Mark Spivak smIntoxicating History.  Mark is an award-winning writer specializing in wine, spirits, food, restaurants and culinary travel. He was the wine writer for the Palm Beach Post from 1994-1999, and since 2001 has been the Wine and Spirits Editor for the Palm Beach Media Group, as well as the restaurant critic for Palm Beach Illustrated. His work has appeared in National Geographic Traveler, Robb Report, Ritz-Carlton, Continental, Art & Antiques, Newsmax, Dream of Italy and Arizona Highways. From 1999-2011 he hosted Uncorked! Radio, a highly successful wine talk show on the Palm Beach affiliate of National Public Radio.

Mark began writing Iconic Spirits after becoming fascinated with the untold stories behind the world’s greatest liquors. As a writer, he’s always searching for the unknown details that make his subjects compelling and unique.

Visit Mark’s website at http://www.iconicspirits.net.

Iconic SpiritsQ: Thank you for this interview, Mark. Can you tell us what your latest book, Iconic Spirits: An Intoxicating History, is all about?

I chronicle the untold tales of twelve spirits that changed the world and forged the cocktail culture. Some are categories and others are specific brands, but they’re all amazing stories—and stories that are unknown to the average reader.

Q: How did you come up with the idea for your book?

One day I was think about Campari, about how bitter it is and how unpleasant it is to some consumers (myself included), despite the fact that millions of cases are sold each year. I did some reading about the physiology of taste, and realized that the taste receptors on our tongues function as an early-warning system that we’re about to drink something toxic or poisonous. Your brain is telling you, “Don’t drink this—it might kill you,” and yet Campari is considered to be one of the sexiest things on earth. The more I looked into other spirits, I found the same kinds of compelling stories.

Q: What kind of research did you do before and during the writing of your book?

There were a number of cases where I visited the distillery and spent two or three days with the producers. Not everyone wanted to give me that level of access, but fortunately there were other cases where I didn’t need it—for some spirits, I could accomplish the research by a combination of reading and telephone interviews.

Q: If a reader can come away from reading your book with one valuable message, what would that be?

The most important message concerns entrepreneurship, the creation of something out of nothing. Many of the most famous and profitable spirits in the world sprang from the flash of an idea.

Q: Can you give us a short excerpt?

The Triumph of the Bootleggers: Moonshine, Rumrunning and the Founding of NASCAR

Drive out of Winston-Salem, and the landscape turns rural very quickly. By the time you reach Wilkes County the soft, rippling hills have become higher and steeper, and the valleys are dotted with frame houses, farmland and working tractors.

Joe Michalek, the energetic and genial president of Piedmont Distillers, is at the wheel. It’s 6:30 a.m. and we’re driving out to have breakfast with Junior Johnson–driving on Junior Johnson Highway, in fact, an eight-mile stretch of U.S. Route 421 named for the famous race car driver. We ease off onto old 421, which used to be known as Bootlegger’s Highway. Sixty years ago there were nearly 400 stills in Wilkes County, and the roads here were dirt–“nothin’ more than cow pastures,” according to Junior. Bootleggers turned off their headlights at night to avoid detection, and navigated by the light of the moon.

Tom Wolfe called him “The Last American Hero.” The nickname stuck, and it became the title of a 1973 movie about his life, a Hollywood extravaganza starring Jeff Bridges. Robert Glenn Johnson Jr., known as Junior, was born in Wilkes County in 1931. He began running moonshine out of the hills at 14, using his dad’s rebuilt 1940 Ford. He became the fastest man on the dirt roads, the one bootlegger the law couldn’t catch. In time, he took his cars, his speed and his nerve onto the racetrack, and became one of the greatest drivers in NASCAR history.

Wolfe wrote at length about the legend of Junior Johnson in his breakout 1965 Esquire piece, but he also helped create it. Junior was already an idol throughout the South at that time, but was relatively unknown outside the region. The story captured him at the height of his racing career, and it also took the legend and burnished it so brightly that it became visible around the country.

Q: In your own experience, is it hard to get a nonfiction book published today?  How did you do it?

I had a great agent, which helped enormously. Even so, I think you need to have a subject which is timely and resonates with a large segment of the public. It helps to persevere, and luck also doesn’t hurt.

Q: What’s a typical day like for you?

I write at all hours of the day, but I find the early hours are best because there are no interruptions. If I can get up by 4 a.m., I’m likely to have nearly an entire day’s work done before people start calling or emailing.

Q: What’s next for you?

I’m sworn to secrecy, but the next project will undoubtedly be focused on spirits and the enjoyment of life.

Q: Thank you so much for this interview, Mark.  We wish you much success!

Many thanks.

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Interview with Kay Marshall Strom, author of ‘The Love of Divena’

Kay Marshall Strom

Kay Marshall Strom is the author of forty published books.  Her writing credits also include numerous magazine articles, short stories, curriculum, stories for children, two prize-winning screenplays, and booklets for writers.  Kay speaks at seminars, retreats, and special events throughout the country.  She and her husband Dan Kline love to travel, and more and more Kay’s writing and speaking take her around the word.

Her latest book is the Christian historical fiction, The Love of Divena.

To find out more about Kay, or for contact information, check her website at www.kaystrom.com.

Visit Kay at Twitter: http://twitter.com/kaysblab

Like Kay at Facebook: http://www.facebook.com/permalink.php?story_fbid=251622274091&id=738699091#!/profile.php?id=738699091

Pick up your copy of The Love of Divena at Amazon:  http://www.amazon.com/The-Love-Divena-Blessings-India/dp/1426709102/ref=sr_1_1?ie=UTF8&qid=1348760002&sr=8-1&keywords=the+love+of+divena

Pick up your copy of The Love of Divena at the publisher’s website: http://abingdonpress.com/forms/ProductDetail.aspx?pid=7312

Q: Thank you for this interview, Kay. Can you tell us what your latest book, The Love of Divena, is all about?

The trilogy centers around an Untouchable family and the high caste landlords who own them. Set in rural India in 1990, this final book tells the story of a little girl abandoned by her father and left on the doorstep of her desperately poor grandmother. Practically every area of the grandmother’s life is bound up in the constraints of society: her outcaste status, her poverty, her religion. But Divena sees the promise of a wider world. The choices she makes rock the world of both families and shake the foundation of an entire culture.

The Love of Divena

The main character of each of the books in the trilogy has a name that means “blessing” in Hindi.  Hence the series title, Blessings in India. Divena, the main character in this book, loves her grandmother dearly, but she cannot accept the older woman’s resigned attitude of “This is how it has always been, and this is how it always will be.”  Adventurous and persistent—also desperate—Divena determines she will change her life.  She does, in ways her grandmother Shridula (book 2) and her great-grandfather Ashish (book 1) never could.

Divena’s grandmother is Shridula, the young mover and shaker of book 2 (The Hope of Shridula). But the years have weighed heavily on her. Trapped by poverty and her low status as a female outcaste, the spark of hope has long since faded away.  When she sees the scrawny waif left on her doorstep, she is overcome by memories. Yet she tells the child, “You did not want to be left in my doorway, and I did not want you left here because I have no money to buy food for you. But here you are, so we will live together.”  When she changes the girl’s name from Anjan (fear) to Divena (Blessing), she has no idea how prophetic that name is.

The other major character is the wealthy, educated young man being groomed to inherit his father’s land—and also his father’s village of bonded servants.  The family is Christian, though that means little to them beyond freedom from Hindu constraints. But the son is a far different person than his father. In his objection to his father’s oppression of the laborers, he is drawn back to his family’s true Christian roots where he finds more than he bargained for.

Q: Do you tend to base your characters on real people or are they totally from your imagination?

Without a doubt, characters are inspired by people I’ve met on my nine trips to India. There really was a little girl abandoned by her father and left on her unsuspecting grandfather’s doorstep.  I think this reality base is important for a book such as this because so many people find it absolutely unbelievable that such oppression and abuses are still around today.

Q: Are you consciously aware of the plot before you begin a novel, or do you discover it as you write?

Yes and yes. I write out a basic chapter outline before I begin, sort of like a map to where I’m going with the book. But as I write, things change.  Some events seem contrived, so I change them.  Or I drop them altogether. Characters get pushy and begin to go their own way, to get themselves into more difficulties than I anticipated.  Thanks to discoveries along the way, I end up with a better book than the one I plotted in the beginning.

Q: Your book is set in South India.  Can you tell us why you chose this place in particular?

Several years ago I had the opportunity to travel throughout Ireland with the advance team of the movie Amazing Grace. Sam Paul, a team member from India, spoke about modern day slavery as it exists there. It is the most prevalent cause of slavery today.  On the last day of our time together as a team, Sam Paul asked me, “Why don’t you write about my people?  We need someone to speak for us. Why don’t you write about us?”  So I did.  I chose to set the story in rural South India because that is an area in which I have spent quite a bit of time and where I know a number of people.

Q: Does the setting play a major part in the development of your story?

Absolutely. Without the setting, there would be no story.  The location—as well as the Indian society in which it is immersed—forms the only world in which the story could exist.

Q: Open the book to page 69.  What is happening?

Oh, good spot!  Sixteen-year-old Divena has spent the past years trudging back and forth from the market with a basket of vegetables from her grandmother’s garden balanced on her head. In blistering heat and in monsoon rain. Lots of work for so few pennies earned.  Beckoned by the sweet fragrance of ripe mangos hanging on a tree, but warned by the tree’s owner not to touch them, Divena proposes a trade: some of her vegetables for a couple of mangos.  The woman drives a hard bargain, but the barter pulls Divena into a much wider world of possibilities. On Page 69, Divena makes her first foray into business.

Q: Can you give us one of your best excerpts?

Little Daniel stood up and scowled at his leaning block tower. “Not good!” he pronounced, and he kicked it over.  Joanna giggled and clapped her little hands.

“Would it not be wonderful if we could solve our problems so easily?” Ramesh asked with a laugh.  “If all of India could?”

Baruch grabbed his son and pulled the child to him. As Daniel squirmed, Joanna climbed onto her father’s lap.  “Here it is, right in my grasp,” Baruch Sundar said as he hugged his children.  “New hope for India.”

Q: Have you suffered from writer’s block and what do you do to get back on track?

I have to say, I don’t believe in writer’s block.  I mean, what happens if a dentist gets dentist’s block?  He gets busy and works on teeth.  When I get writer’s block, I get busy and write.  It helps that I generally have a couple of projects going.  If I’m stuck on one, I work on the other.

Q: What would you do with an extra hour today if you could do anything you wanted?

Mmmmm, what a delightful thought!  I think I would head out to our hot tub/spa and read.

Q: Which already published book do you wish that you had written and why?

The Lion, the Witch, and the Wardrobe.  I love the way C.S. Lewis wrote a book that works on so many different levels.  Eight-year-olds are transfixed with the tale of talking animals and witches, families read the book together for its moral values, and theology students take entire courses on it.  What a gift to be able to write a book like that!

Q: What kind of advice would you give other fiction authors regarding getting their books out there?

It is a tough field today, with so many books out there. I would say, demonstrate your writing by blogging.  Offer to write guest posts for other bloggers.  Speak wherever you can—at the library, at service clubs, in your church or other associations—and always have your book on hand.  But remember, you must not come across sounding like an advertisement.  Your listeners will be asking, “What’s in this for me?”  What they want to hear from you is, “A wonderfully entertaining story, and even more.  Much, much more.”

Q: Thank you so much for this interview, Kay.  We wish you much success!

Thank you for talking with me.

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A Conversation with NeonSeon, author of “Life of Shouty: Food and Fitness”

About NeonSeon

Creating Shouty Mack as a comic strip for a high school newspaper, NeonSeon developed Life of Shouty as a book series for children in 2010. NeonSeon grew up in Chicago’s Hyde Park community and currently resides in Atlanta. Honors include a Mom’s Choice Award for Life of Shouty: Good Habits.

For more information, visit www.SHOUTY.com.

The Interview

What is your favorite quality about yourself?

My ability to relate to others and see life through multiple perspectives.

What is your least favorite quality about yourself?

I can be too critical of myself.

What is your favorite quote, by whom, and why?

“What would you attempt to do if you knew you could not fail?” attributed to Robert H. Schuller. I love this quote because it frees me to think about a wide-open future.

What are you most proud of accomplishing so far in your life?

I’m most proud of my ability to learn new things and acquire new skills year after year.

How has your upbringing influenced your writing?

My home was filled with positive and motivational books, and these themes are found in the Life of Shouty Series. My upbringing was also very creative, and without that, I probably wouldn’t have volunteered to be the cartoonist for the high school newspaper, and thus create the comic strip Shouty Mack.

Do you recall how your interest in writing originated?

Certain books gave me so much joy that it was natural to want to elicit that in others through writing. I read Dickens’ “A Tale of Two Cities” in eighth grade and it blew me away.

When and why did you begin writing?

I wrote short stories for fun when I was younger, and I had several writing internships in college. I was an English major so I was always writing papers. I have always enjoyed writing.

How long have you been writing?

The Life of Shouty Series came out in 2010, but I’ve been writing since I was able.

When did you first know you could be a writer?

I’ve always known I could be a writer.

What inspires you to write and why?

The human condition inspires me, and the journey of growth. Laughter. Play.

What genre are you most comfortable writing?

Non-fiction comes easiest but rhyming is fun.

What inspired you to write your first book?

My character, Shouty. I knew I had to write and develop a series for him. He is relatable, lovable and imperfect.

Who or what influenced your writing once you began?

I like to let the story unfold so I would say it’s more of a stream of consciousness process guided by rhyme. “The Artist’s Way” by Julia Cameron helped to get me out creative blocks, as well.

Who or what influenced your writing over the years?

What has helped me the most over the years is looking at other people’s edits or suggestions of my work. For that moment, I get to see how their brains work and in so doing, it expands the possibilities I see in the act and process of writing.

What made you want to be a writer?

I didn’t necessarily want to be a writer or set out to be one. I just wanted to tell a story and bring a character to life, and writing was the medium I chose.

What do you consider the most challenging about writing a novel, or about writing in general?

Getting over your own doubts to realize the project and developing a good arc for the story.

Did writing this book teach you anything and what was it?

I’ve struggled with making healthy choices most of my life and writing Life of Shouty: Food & Fitness taught me you can still contribute something of value in an area you’ve yet to conquer.

About Life of Shouty: Food and Fitness

Life of Shouty Food and FitnessShouty returns with a new challenge: his health. The second book in the Life of Shouty™ series by award-winning author and illustrator NeonSeon shows Shouty’s ups and downs on the path to wellness.

Like many of us, Shouty places a premium on being a productive person, and crossing items off his daily to-do list. While healthy food and fitness don’t make his list of priorities, Shouty is unaware of the impact this has on his declining health. Over time, Shouty becomes painfully aware that he must make lifestyle changes to improve his health, quality of life, and self-esteem.

Touching on themes of overeating, obesity, and inactivity, Shouty’s journey is illustrated in a way that captures his despair, as well as his ultimate triumph.

Debuting on Child Health Day, it is NeonSeon’s hope that this book affirms the importance of making healthy choices in one’s life and helps readers envision healthier versions of themselves. If you’ve ever found yourself on either end of the health spectrum, or are making your way somewhere in the middle, Shouty hits several notes on his path that will surely sound familiar.

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A Conversation with Gregory Earls, author of “Empire of Light”

When Gregory Earls isn’t eating at Roscoe’s House of Chicken and Waffles, he pays the bills by taking up space at 20th Century Fox in the Feature Post Production Department. He’s a proud graduate of Norfolk State University and the American Film Institute, where he studied cinematography. He’s an award-winning director who has amassed a reel of short films, music videos, and (yes) a wedding video or two. Steadfastly butchering the Italian language since 2002, he hopes to someday master the language just enough to inform his in-laws how much he loves their daughter, Stefania, who was born and raised in Milan, Italy. Gregory currently resides in Venice, California where he goes giddy every time he spots that dude who roller skates and plays the electric guitar at the same time. During football season, he can be found at the Stovepiper Lounge, a Cleveland Browns bar in the Valley where he roots for the greatest football team in the history of Cleveland.

Visit his website at www.gregoryearls.com.

Q: Thank you for this interview, Gregory. Can you tell us what your latest book, Empire Of Light, is all about?

A: Empire Of Light is kind of a coming of age novel. It revolves around an insecure film school student named Jason and his first trip to Europe. His voyage flips into mad adventure when his vintage Brownie camera magically unleashes all the sex, violence, religion and humor captured on canvas by the infamous artist, Caravaggio. During the journey, he finds the tools he needs to become a confident man and an artist.

Q: Can you tell us a little about your main and supporting characters?

A: Besides Jason, there’s his film school mentor and Cinematography Dean, Howard Edgerton. Edge is an old Hollywood cameraman, and he reminds Jason of an older silver-haired, Cary Grant. He also talks and thinks fast, like he’s in a Howard Hawks film. His idiosyncratic trait is that he’s always tipping Jason a twenty, in hopes that he’ll use it to improve his crappy wardrobe.

Q: Do you tend to base your characters on real people or are they totally from your imagination?

A: This effort is a bit autobiographical; and it definitely references celebrities behind the camera and in the art world. However, this is an aberration for me. Most of the time, my characters are made up.

Q: Are you consciously aware of the plot before you begin a novel, or do you discover it as you write?

A: When writing screenplays I’ve been hyper aware of the plot, mostly because you have to be conscious of production logistics (depending on the project). I was a bit loose with having the plot nailed down before beginning Empire Of Light. After being pigeon holed all these years, it was nice to let the plot somewhat develop organically.

Q: Your book is set in Los Angeles, Paris, Rome and Naples. Can you tell us why you chose these cities in particular?

A: Don’t forget Cleveland! Ha! This reminds me of that famous Willie Sutton quote. When asked why he robbed banks Willie replied, “Because that’s where the money is.” Caravaggio doesn’t have a large body of work, but these three cities seem to have the most of ‘em. If I do a sequel, I might have to include Texas, Dublin and Sicily.

Q: Does the setting play a major part in the development of your story?

A: Jason is a fish out of water, but he’s trying to evolve and grow some legs. He’s not the “Ugly American,” because the guy attempts to speak the language, even though he butchers Italian like it’s a side of beef. It’s funny and awkward to see him stumble through a new world and try to come out on the other end intact. His life, eventually, depends on him accepting his lot in life and embracing it.

Q: Open the book to page 69. What is happening?

A: Jason is on the plane headed to Paris. A rude Frenchman sitting behind him has just shaken the hell out of Jason’s headrest in protest of him reclining his seat too far back. A gorgeous flight attendant is on the scene to apply justice.

Q: Can you give us one of your best excerpts?

A:

“There’s my little pyromaniac!”

Goddamn it. Edgerton is here.

Edge has been visiting sets all year, making sure we don’t do anything stupid (i.e. illegal Power Box tie-ins). I turn around and find him leaning on the camera, dressed as if he’s going to visit Hef at the Playboy mansion, fifty years ago.

“Tell me son, just what the hell are you wearing?” he asks, referring to my Flaming Carrot t-shirt.

“The Flaming Carrot? He fights crime while wearing this giant carrot mask with a huge flame shooting out the top of his head.”

“Why you little pervert. I know you little Neanderthals won’t wear ties on set anymore, but do you have to advertise your sick little desires on a t-shirt? This is the AFI! Leave the latent cock imagery for the hippies at NYU. What the hell did you do with that twenty I gave you?”

“You expected me to buy—”

“Would it kill you to wear a pair of chinos and a nice oxford?” he interrupts. “It could be a pink oxford if that turns you on.”

“I’m not gay.”

“Not my business and that’s the whole point, isn’t it?”

Q: Thank you so much for this interview, Gregory. We wish you much success!

A: Thanks so much for the opportunity! Hope we can do it again someday soon.

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As the Pages Turn Chats with Lynn Voedisch, author of “The God’s Wife”

Lynn Voedisch is a Chicago journalist and fiction writer with many years experience working for newspapers and magazines. She is a member of the America Society of Journalists and Authors and the Society of Midland Authors, where she is one the board of directors. She started out as editor of her college newspaper at Grinnell College, Grinnell, Iowa, and went on to work for WBBM-TV, Chicago; Pioneer Press in suburban Chicago, the Los Angeles Times, and spent a 17-year stint at the Chicago Sun-Times. She was an entertainment reporter and technology reporter there and helped develop the newspaper’s fledgling Web site. The site and staff won Best Innovation from the Inland Daily Press Association and the Dvorak Award for Web content.

She has been on television (“Chicago Tonight”) and radio (WBEZ-FM) talk shows, discussing arts topics that affect the city. After leaving the Sun-Times, she pursued a freelance career where she was published in the Chicago Tribune and in the Industry Standard, Grok and Connect-Time (all technology magazines). She also did arts stories for Dance Magazine and the Tribune. A short story of hers, “Wili,” was published inFolio literary magazine in Winter, 2001. She is now working on fiction. Her first novel, “Excited Light” (ASJA Press, $14.95) is available at Amazon.com, bn.com,booksamillion.com and can be ordered at any Barnes & Noble store. Her current novel, “The God’s Wife” (Fiction Studio Books, $9.99 e-book, $16.95 paperback) goes on sale Aug. 9.

Visit her website at http://www.lynnvoedisch.com/TheGodsWife-LV.com/Welcome.html

Q: Thank you for this interview, Lynn. Can you tell us what your latest book, “The God’s Wife,” is all about?

A: “The God’s Wife” tells the story of a 16-year-old girl who is chosen to become the God’s Wife of Amun, who in ancient Egypt, is a powerful priestess—second only to the pharaoh in power. However, she is poorly prepared for her role and finds herself mired in politics and sexual harassment. She begins losing her grip on her role. Meanwhile, millennia away, a young dancer in modern Chicago is dancing the role of an Egyptian and in over-reseaching her role begins to have fainting spells and vivid dreams of being in Egypt. She starts recognizing the world of the God’s Wife and soon the two start to see and speak to each other in an eerie dream world. What’s pulling these worlds together? Is it magic or science? And what does it mean to these two linked women?

Q: Can you tell us a little about your main and supporting characters?

A: Neferet, the God’s Wife of Amun, is strong and determined in her character, but is being pushed around by her bossy mother, Meryt. She needs the high goals that her contemporary twin, Rebecca Kirk, sends to her across the centuries. Neferet also has a lover, Kamose, who is strong and soothing and provides a place for her to vent her fears. Rebecca’s boyfriend, Jonas, does the exact same thing for her. I tried to create symmetry between the lives of the two female protagonists.

Q: Do you tend to base your characters on real people or are they totally from your imagination?

A: They are totally from my imagination.

Q: Are you consciously aware of the plot before you begin a novel, or do you discover it as you write?

A: I always discover things as I write, but I did have a general idea of where it was all going. For one thing I knew how it would end, and worked the plot toward that finish.

Q: Your book is set in ancient Egypt and in Chicago. Can you tell us why you chose these places in particular?

A: I picked ancient Egypt because I wanted to write about the God’s Wife of Amun, which was such a fascinating concept for me. A woman that powerful in an ancient culture is something I needed to explore. Chicago I picked because it’s my hometown and I love writing about the city and all its wonderful, character-filled neighborhoods.

Q: Does the setting play a major part in the development of your story?

A: Absolutely. Egypt casts a spell on you, and I know because I’ve traveled there. The hot sun, the statuary, the long avenues of sandstone, the ever-flowing Nile, all fill you with a sense of a civilization built for eternity. There is a serenity there. Chicago is lot more busy.

Q: Open the book to page 69. What is happening?

A: Nefert’s evil half-brother tries to attack her in the holy chapel of Amun, but she dodges him and sends him off down the hallway. Then she calls the royal guard

Q: Can you give us one of your best excerpts?

A:“From the primeval nothingness, proceeded Amun,” was the chant. Fewer people waved them on this time, but she sat still, with her back erect on the unforgiving wood sedan chair, balancing the wig with expert grace. In her confusion, she hung on to what the priests had taught her over her weeks of training.

Door after door gave way to the procession until they faced a hut-sized entrance with a red door allowing passage for only one or two persons at a time. She and Nebhotep had permission to touch it. She descended from the litter, aided by the priests, and stood, legs quivering under her linen gown, before the portal. She pounded once upon the wood, and the priests all bent forward prostrate on the floor. The way opened. She drew herself up, steadied her breath and faced the blue icon of the god Amun. He sat, life-sized, on a granite pedestal. His eyes, of the most uncanny stones, followed her every movement, even the shift of her eyes.

As instructed, she placed an armful of flowers at the god’s feet. Priests, bent over and mumbling apologies to the great Amun, handed her food to lay at the icon’s pedestal. Then, at the door, they covered Neferet with a great, gold-flecked robe and crowned her wig with a diadem. They sang a song of matrimony, and Nebhotep joined her hand to that of the great statue. It was as cold as the night waters. The priest read a long statement, detailing the lands and properties that the temple afforded to her, now that she was the bride of Amun. Her mind swam. All through these declarations, the heady incense threatened to knock her out. The sacred drug didi had her head swimming, because now the room was full of blue – the same color as the faience beads on her full collar necklace. She relaxed and couldn’t take her eyes off the Amun effigy.

Like fleet-footed beings of the night, the priests left. Closing the door behind them, they abandoned her with this husband of rock. In the moment his jewel eyes fastened onto hers, she knew her life was no longer her own.

Q: Thank you so much for this interview, Lynn. We wish you much success!

A: Thanks. This was fun.

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Interview with Bonnie Trachtenberg, author of “Wedlocked”

Bonnie Trachtenburg

Bonnie Trachtenberg worked as Senior Writer and Copy Chief at Book-of-the-Month Club and has written seven children’s book adaptations. She’s also written for three newspapers, and has penned countless magazine articles.Wedlocked is her first novel. She lives on Long Island with her husband, stepchildren, and cats.

Please visit her blogs at:

http://www.BonnieTrachtenberg.com

http://www.Wedlockedthenovel.com

and on Twitter athttp://twitter.com/WritebrainedNY

Q: Thank you for this interview, Bonnie. Can you tell us what your latest book, Wedlocked: A Novel, is all about?

A: Wonderful to be here. Wedlocked is the witty, engaging tale of a struggling actress named Rebecca Ross, who, after years of disappointment and heartache, finds herself catapulted into a disastrous marriage and onto a honeymoon from hell. Readers will find that the story is like a wild ride through Rebecca’s life, featuring zany, memorable characters; unique, unpredictable plotting; and lots of humor.

Q: Can you tell us a little about your main and supporting characters?

A: Rebecca starts out as a perfectionist Pollyanna and talented overachiever but gets taken down quite a few notches by her experiences in life—so much so that she begins to doubt everything she’s ever believed and is compelled to make a desperate decision. Rebecca does what her dictatorial mother, an overzealous convert to Judaism, has always wanted her to do: she marries a Jewish man, namely Craig Jacobs. Craig is charismatic and persistent but brash and defiant too, and he comes into Rebecca’s life like a hurricane. But it’s not until her wedding day that she begins to realize just how wacky and destructive a man he is—and just wait for the honeymoon!

Q: Do you tend to base your characters on real people or are they totally from your imagination?

A: The characters in Wedlocked are closely based on real people, as the story is based on my first brief and calamitous marriage. Some characters are composites and most were amplified—but not all! I guess you could say that with a few changes, Rebecca is really me. In fact, friends who have read the book say they hear my voice in their heads when Rebecca narrates.

Q: Are you consciously aware of the plot before you begin a novel, or do you discover it as you write?

A: In this case I was very consciously aware of the plot since it was inspired by actual events from my life. In my second novel, which is in the editing phase, I used an idea that had been marinating in my mind for a while. However, in both cases, I found that the stories took unexpected turns as I wrote.

Q: Your book is set in New York, Los Angeles and Italy. Can you tell us why you chose these places in particular?

A: I’ve lived in both New York and Los Angeles and therefore have a great affinity and good knowledge of both. Many of my life experiences can be tied to places and events in both cities. I chose Italy because I’ve been there three times and find it to be a paradise. What better place to set a disastrous honeymoon? Especially since that’s where mine took place.

Q: Does the setting play a major part in the development of your story?

A: Yes, all three settings are like characters in what they offer and how they each affect Rebecca’s life. They also lend a certain richness to the story that only location can.

Q: Open the book to page 69. What is happening?

A: Rebecca is about to shoot her first national commercial and is practicing her lines. She wants to make sure absolutely nothing goes wrong since, thanks to her, all her other career opportunities have gone down the drain. Of course something will go wrong, but this time it will be totally out of her control.

Q: Can you give us one of your best excerpts?

A: Sure. This is from the prologue and sets the stage for what’s to come:
“As we were announced into a resplendent ballroom filled with enthusiastic guests, it was as if a UFO had plucked me out of my should-be life, only to plop me down in some sort of bizarre alternate universe. For it had been less than a year earlier that I was this close to seeing my dreams of fame, fortune, and romance come to fruition, when they exploded in my face like a cruel joke.

With Craig’s hand gripping mine, and the Starbright Orchestra’s lead singer channeling Frank Sinatra, the glorious, Gatsby-esque room that had so enchanted me, began spinning even faster than my shell-shocked, post-nuptial brain. What some brides know is that when you find yourself sashaying down the aisle on what’s supposed to be the happiest day of your life, things can sometimes turn bafflingly surreal. Sensing something’s terribly amiss, you chalk it up to jitters, refusing to acknowledge a most unpleasant fact: the man standing before you in white tie and tails is far from the soul mate you hoped for.

If I could have seen this truth in real time, I like to think I would have mustered the courage to make a mad bolt from the chapel. But I was thirty-six—trampled, lost, and romantically bankrupt—so the only thing running away that day was the train I was riding, and I kept my seat, although I was destined to wreck.” —from Wedlocked: A Novel

Q: Thank you so much for this interview, Bonnie. We wish you much success!

A: It was a pleasure. Thank you!

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